The Artist’s Kitchen or Flemish Kitchen; version 1
Date: circa 1872
Dimensions: Height: 50.8 cm (20 in.), Width: 38.1 cm (15 in.)
Medium: Painting – oil on canvas
Owner/Location: Private Owner
Description
Description:
Stamped verso The F.D. Millet Sale.
There are two versions of this setting. Version 1, shown here, has the hanging brass pots overlapping and the basket by the chair is “round” and filled with different items than in Version 2, there is also a different arrangement of items in the glass door cupboard. It also does not have a red towel hanging on the wall on the left. For those who like to look at detail, please note the configuration of the the tiles which are different in both paintings.
This small oil is of a typical Flemish kitchen of the 19th century. Millet studied in Antwerp, Belgium at the Royal Academy in 1871-1872 and it is possible that it was painted at that time for one of Millet’s painting classes at the Academy.
Condition: Trimmed, canvas lined; wear at edges with corresponding minor inpainting.
Exhibitions / Provenance
Exhibitions:
1999, The Easel Paintings of Francis Davis Millet, Guild of Boston Artists, Boston, Massachusetts, April 7-24, 1999.
Provenance:
Private Owner
1986, Sotheby’s New York, October 24, 1986, Lot 42; A Dedham, Massachusetts Collection.
2017, Offered for sale Nov 17,2017 through Grogan & Company, 20 Charles Street, Boston, MA Auction estimate: $1,000-2,000, Not sold at auction. The 30th Anniversary Auction
2020, Rago Arts and Auction Center, Lambertville, NJ, US, Nov. 13, 2020 Est. $3,000-$5,000 Also listed undated gallery sales as provenance: Richard York Gallery, New York & Mark Borghi Fine Art, NewYork
2020, Grogan & Company,Boston, MA, US, Nov. 15, 2020 Estimated at $2,000-$4,000
2022, Eldred’s, East Dennis, MA, US,Jul. 27, 2022, Sold as titled: “The Artist’s Kitchen, Antwerp”. Unsigned. Titled on gallery label verso. Est. $3,000-$5,000
Research / Publications
Research:
Publications:
“The Easel Paintings of Francis Davis Millet, ” American Art Review, Vol. XI, No. 2, (March-April 1999: p. 124 (image).